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Salzburg Sacred Music  - Benoît Haller (tenor); Christoph Anselm Noll (organ); Cornelia Samuelis (soprano); Markus Flaig (bass);...
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  1. Vesperae solennes de confessore, for soloists, chorus & orchestra, K. 339
  2. Mass No. 16 for soloists, chorus & orchestra in C major (missa solemnis), K. 337: Kyrie
  3. Mass No. 16 for soloists, chorus & orchestra in C major (missa solemnis), K. 337: Gloria
  4. Church sonata No. 17 for 2 violins, bass & organ in C major, K. 336 (K. 336d)
  5. Mass No. 16 for soloists, chorus & orchestra in C major (missa solemnis), K. 337: Credo
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  1. Vesperae solennes de confessore, for soloists, chorus & orchestra, K. 339
  2. Mass No. 16 for soloists, chorus & orchestra in C major (missa solemnis), K. 337: Kyrie
  3. Mass No. 16 for soloists, chorus & orchestra in C major (missa solemnis), K. 337: Gloria
  4. Church sonata No. 17 for 2 violins, bass & organ in C major, K. 336 (K. 336d)
  5. Mass No. 16 for soloists, chorus & orchestra in C major (missa solemnis), K. 337: Credo
  6. Mass No. 16 for soloists, chorus & orchestra in C major (missa solemnis), K. 337: Sanctus
  7. Mass No. 16 for soloists, chorus & orchestra in C major (missa solemnis), K. 337: Benedictus
  8. Mass No. 16 for soloists, chorus & orchestra in C major (missa solemnis), K. 337: Agnus Dei
  9. Mass No. 16 for soloists, chorus & orchestra in C major (missa solemnis), K. 337: Dona nobis pacem
  10. Regina coeli, antiphon for soloists, chorus & orchestra in C major, K. 276 (K. 321b)
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Near the end of his career in Salzburg and looking to new horizons, Mozart produced several large choral-orchestral works for his hated employer, the Archbishop Colloredo. All are packed with the overflowing melodic invention that characterizes the contemporaneous opera Idomeneo, but are restricted to dimensions modest enough to satisfy Colloredo, another of those people who thought Mozart used too many notes. The "Coronation" Mass, K. 317 is the most popular of these works, but the Vesperae solennes de confessore, K. 339, ...

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