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It is obvious that Marianne Thormahlen knows her stuff. She not only is deeply familiar with Rochester, but she knows the body of literature of the time from France and Italy as well, and the ancient classics that scholars like Rochester drew on. She also knows everything that has been written about Rochester up to this point. Unfortunately, she expects you to know it all too. She gives paragraph-long chunks of quotes or poems in Greek, Latin, and French, without offering a translation. She drops names without explaining who they are. She continually makes obscure references. Most annoying, she does not give the full text of the poem she is explaining, leaving it up to you to find the collection of Rochester's poems that she favors (Vieth's) and have it beside you in order to follow her discussion. Lacking Thormahlen's background, I found it very heavy going for very little new insight. After wading through what everyone else thought about the poem, an education in itself for sure, one finds her take on it, which often is little more than a declaration, without supporting exegesis, that Rochester was more clever, a better craftsman, and a more serious artist than previous critiquers have given him credit for.
