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Remembrance of Things Past - Derek Lee Ragin (vocals); Peter Croton (lute); Theresia Bothe (vocals)
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Track Listing
  1. Preludium, for lute, P 98
  2. Rememberance of things past, for voice & lute
  3. Sleep wayward thoughts, for 4 voices & lute (First Book of Songs)
  4. While you here do snoring lie, for lute & voice
  5. Die not before thy day, for 2 voices & lute (Second Book of Songs)
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  1. Preludium, for lute, P 98
  2. Rememberance of things past, for voice & lute
  3. Sleep wayward thoughts, for 4 voices & lute (First Book of Songs)
  4. While you here do snoring lie, for lute & voice
  5. Die not before thy day, for 2 voices & lute (Second Book of Songs)
  6. Say, Love if ever thou didst find, for 4 voices & lute (Third Book of Songs)
  7. Now, O now I needs must part, for 4 voices & lute (First Book of Songs)
  8. Go crystal tears, for 4 voices & lute (First Book of Songs)
  9. Time stands still, for voice, lute & bass viol (Third Book of Songs)
  10. Fine knacks for ladies, for 4 voices & lute (Second Book of Songs)
  11. Sorrow, stay, lend true repentant tears, for 2 voices & lute (Second Book of Songs)
  12. Sorrow, stay, lend true repentant tears, for 2 voices & lute (Second Book of Songs)
  13. His golden locks Time has to silver turned, for 4 voices & lute (First Book of Songs)
  14. Flow, my tears, fall from your springs, for 2 voices & lute (Second Book of Songs)
  15. What if a day, ballad setting for lute, P 79 (possibly spurious)
  16. Come, heavy sleep, for 4 voices & lute (First Book of Songs)
  17. The Waking, for lute & 2 voices
  18. Quietness, for lute & 2 voices
  19. Now, O now I needs must part, for lute & 2 voices
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This is a very unorthodox recording of John Dowland's lute songs, emphatically not the right choice for a basic introduction. It's experimental in several ways, or at least three, really. That's usually a very risky thing; experiments are best undertaken against a backdrop of solidly mastered technique. That said, there are absolutely compelling moments here, and this disc belongs in any serious Dowland collection or in that of anyone who simply enjoys speculative modes of performance. The designer of the performance seems ...

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