String Quartet No. 1 in A minor, Sz. 40, BB 52 (Op. 7)
The Well-Tempered Clavier (24), collection of preludes & fugues, Book I, BWV 846-869 (BC L80-103): Fugue in C-sharp minor BWV 849
The rather abstract-sounding title of this release by the Danish String Quartet comes from a series; the "Prism" recordings select a late Beethoven quartet and program it with an arrangement of a relevant Bach work as well as a later quartet from a composer who came under the influence of late Beethoven. The idea is that the original Bach work is refracted by Beethoven as if by a prism. It sounds like a slightly involved apparatus, and it is; the influence of the late Beethoven quartets is nowhere near as direct as the ...
Read More
The rather abstract-sounding title of this release by the Danish String Quartet comes from a series; the "Prism" recordings select a late Beethoven quartet and program it with an arrangement of a relevant Bach work as well as a later quartet from a composer who came under the influence of late Beethoven. The idea is that the original Bach work is refracted by Beethoven as if by a prism. It sounds like a slightly involved apparatus, and it is; the influence of the late Beethoven quartets is nowhere near as direct as the group suggests in its note, and one can even argue that Bartók was the first composer to really attempt to come to terms with them directly. This said, the importance of Bach in the music of late Beethoven is large and arguably under-explored, and there are several strong draws here, not least the performance of the Beethoven String Quartet No. 14 in C sharp minor, Op. 131. The Danish String Quartet sharply highlights the juxtaposition of contrapuntal and folkish material in this work,...
Read Less