Although all of the quartet's original members with the exception of violist Josef Kluson have moved on since its 1972 founding, the Prazák Quartet has maintained many of its original traditions. For starters, the Prazák Quartet has long distinguished itself as an ensemble almost obsessed with technical precision. From its earliest recordings to the present, intonation, articulation, balance, phrasing, and even the matching of vibrato have been among its trademarks. All of these technical proficiencies have never come at ...
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Although all of the quartet's original members with the exception of violist Josef Kluson have moved on since its 1972 founding, the Prazák Quartet has maintained many of its original traditions. For starters, the Prazák Quartet has long distinguished itself as an ensemble almost obsessed with technical precision. From its earliest recordings to the present, intonation, articulation, balance, phrasing, and even the matching of vibrato have been among its trademarks. All of these technical proficiencies have never come at the expense of musical integrity. Quite the contrary, in fact; the performances are typically quite passionate and musically sating. Another tradition of the ensemble is diverse programming, frequently beginning and ending with works from the "standard" repertoire while performing more "modern" works in the middle. This album, celebrating the 30th anniversary of the quartet's win of the International Evian Prize, keeps with both of these traditions. It opens with Haydn's Op. 50/6...
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