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Parry: Choral Masterpieces - Jeffrey Makinson (organ); Mark Rowlinson (baritone); Manchester Cathedral Choir (choir, chorus); Christopher Stokes (conductor)
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  1. I Was Glad (Psalm 122), anthem for chorus & organ (or orchestra)
  2. Evening Service No 2 in D major, "The Great"
  3. Songs of Farewell (6), for chorus
  4. Hear My Words, Ye People for chorus & orchestra
  5. Judith, oratorio for soloists, chorus & orchestra
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  1. I Was Glad (Psalm 122), anthem for chorus & organ (or orchestra)
  2. Evening Service No 2 in D major, "The Great"
  3. Songs of Farewell (6), for chorus
  4. Hear My Words, Ye People for chorus & orchestra
  5. Judith, oratorio for soloists, chorus & orchestra
  6. Jerusalem ("And did those feet in ancient time"), for chorus & organ (or orchestra)
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The "Big Tune" that is strongly associated with late Romantic music in England may have found its greatest exponent in Edward Elgar, but it had its basis in the music of his predecessors, Charles Villiers Stanford and Charles Hubert Hastings Parry. Many of the large-scale works composed in the Victorian and Edwardian eras featured expansive melodies of dignified, uplifting character, and it was largely in the anthems and hymns of Stanford and Parry that the characteristic became notable. Indeed, so recognizable was this ...

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