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Panis angelicus: Favourite Motets from Westminster Cathedral - Andrew Carwood (tenor); Eamonn O'Dwyer (treble); Iain Simcock (organ); Mark Kennedy (treble); Nicholas Keay (tenor); Westminster Cathedral Choir (choir, chorus); James O'Donnell (conductor)
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  1. Ave Maria, sacred piece for soloists, chorus & continuo in A major, Op. 23/2
  2. Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174): Jesu, joy of man's desiring
  3. Panis angelicus, for voice, organ, harp, cello & double bass
  4. Ave verum corpus
  5. O salutaris hostia, for mixed voices
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  1. Ave Maria, sacred piece for soloists, chorus & continuo in A major, Op. 23/2
  2. Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174): Jesu, joy of man's desiring
  3. Panis angelicus, for voice, organ, harp, cello & double bass
  4. Ave verum corpus
  5. O salutaris hostia, for mixed voices
  6. Faire Is the Heaven, for chorus
  7. Ave Maria, for female chorus, Op. 9b, H. 49
  8. Ave Maria, for voice & piano, CG 89e (after Bach's Prelude No. 1 from the Well-Tempered Clavier, Book 1)
  9. Maria Mater gratiae, offertory for tenor, baritone & organ, Op. 47/2
  10. Ave verum, motet for chorus, Op. 2/1
  11. Ave verum corpus, motet for chorus, strings & organ, K. 618
  12. Ave Maris Stella, for double chorus, EG 150
  13. Tantum Ergo, for chorus
  14. Hymne la Vierge, for chorus
  15. Psalm 23 ("Gott ist mein Hirt"), for female voices & piano, D. 706 (Op. posth. 132)
  16. Symphony No. 2 in B flat major ("Lobgesang", "Hymn of Praise"), Op. 52: I waited for the Lord
  17. Cantique de Jean Racine, for 4-part chorus & organ (or orchestra), Op. 11
  18. Nunc Dimittis, for chorus, H. 127
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