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O Solitude - Accademia Bizantina; Andreas Scholl (counter tenor); Christophe Dumaux (counter tenor); Stefano Montanari (conductor)
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Track Listing
  1. If music be the food of love, song, Z. 379 (3 settings)
  2. Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: 3. Sound the trumpet
  3. Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: 5. Strike the viol
  4. King Arthur, or, The British Worthy, semi-opera, Z. 628: Chacony
  5. King Arthur, or, The British Worthy, semi-opera, Z. 628: Fairest isle
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  1. If music be the food of love, song, Z. 379 (3 settings)
  2. Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: 3. Sound the trumpet
  3. Come ye sons of art away (Birthday ode for Queen Mary), for soloists, chorus & instruments, Z. 323: 5. Strike the viol
  4. King Arthur, or, The British Worthy, semi-opera, Z. 628: Chacony
  5. King Arthur, or, The British Worthy, semi-opera, Z. 628: Fairest isle
  6. King Arthur, or, The British Worthy, semi-opera, Z. 628: What power art thou (Cold Song)
  7. Chacony, for 4 strings in G minor, Z. 730
  8. The Fairy Queen, semi-opera, Z. 629: One charming night
  9. Pausanias, the Betrayer of his Country, incidental music, Z. 585: 1. Sweeter than roses
  10. Dido and Aeneas, opera, Z. 626: When I am laid in earth (Dido's Lament)
  11. The Gordian Knot Unty'd, incidental music, Z. 597
  12. Welcome to all the pleasures (An Ode for St. Cecilia's Day), for soloists, chorus & instruments, Z. 339: 3. Here the deities approve
  13. Oedipus, incidental music, Z. 583: 2. Music for a while
  14. O dive custos Auriacae domus ("On the death of Queen Mary"), song for 2 sopranos & continuo, Z. 504
  15. O solitude, my sweetest choice, song, Z. 406
  16. Pavan for 3 violins & continuo in G minor, Z. 752
  17. Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193
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Purcell would seem like a natural fit for Andrea Scholl's voice, but this album of songs, arias, and orchestral selections from Purcell's semi-operas and incidental music is the counter tenor's first foray into recording this repertoire, and it's a fabulous success. This is a recording that takes a while to establish its momentum, but it grows in stature as it progresses. The first few tracks are very fine, but by the time Scholl has finished "What power art thou," (the "Cold Song" from King Arthur ), the first of many ...

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