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Musical Banquet - Monika Mauch (soprano); Nigel North (lute)
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  1. Passava amor su arco desarmado
  2. Lady if you so spite me, for voice, lute & bass viol (A Musical Banquet)
  3. Dovrò dunque morire, song for voice & continuo or lute
  4. Amarilli mia bella, for voice & continuo (from Le nuove musiche)
  5. Si le parler et le silence, chanson
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  1. Passava amor su arco desarmado
  2. Lady if you so spite me, for voice, lute & bass viol (A Musical Banquet)
  3. Dovrò dunque morire, song for voice & continuo or lute
  4. Amarilli mia bella, for voice & continuo (from Le nuove musiche)
  5. Si le parler et le silence, chanson
  6. Se di farmi morire, voce e liuto
  7. O eyes, leave off your weeping, song (No. 3 in the collection A Musicall Banquet)
  8. Vuestros ojos tienen d'amor
  9. In a grove most rich of shade, song (No. 7 in the collection A Musicall Banquet)
  10. The Right Honourable the Lady Rich, her Gaillard (Dowland's Bells), for lute, P 43
  11. Go, my flock, go get you hence, song (No. 4 in the collection A Musicall Banquet)
  12. O bella più che le stelle
  13. My heavy sprite oprest with sorrowes might, for voice & lute
  14. A Galliard upon a Galliard by John Dowland, for lute (App. 2 from Selected Works for Lute)
  15. To Plead My Faith, galliard for lute (No. 25 from Selected Works for Lute)
  16. Ce penser qui sans fin tirannise ma vie, chanson
  17. O dear life, when shall it be?, song (No. 5 in the collection A Musicall Banquet)
  18. The Right Honourable Lord Viscount Lisle (Sir Robert Sidney, his galliard), for lute, P 38 (A Musical Banquet)
  19. Change thy mind since she doth change, song (No. 2 in the collection A Musicall Banquet)
  20. Work(s): Sir Thomas Monson, his Pavin and Galliard
  21. Vous que le Bonheur rappelle, chanson
  22. In darkness let me dwell, for voice, lute & bass viol (A Musicall Banquet)
  23. Sta notte mi sognava
  24. Far from the triumphing court, for voice, lute & bass viol (A Musicall Banquet)
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Various vocalists and lutenists specializing in the late Renaissance have constructed artificial tours of the European continent, but soprano Monika Mauch and lutenist Nigel North rely here on an original source to do the same thing. They emerge with a superior product in every way. The original source in question is the book whose cover text is reproduced on the back cover of the CD box: Robert Dowland's A Musical Banquet, published in London in 1610. Robert Dowland was John Dowland's son, and he had a lot of help in this ...

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