Don Giovanni, opera, K. 527: Il mio tesoro intanto
Così fan tutte, opera, K. 588: Un'aura amorosa del nostro tesoro
Così fan tutte, opera, K. 588: Tradito, schernito dal perfido cor
Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384: Hier soll ich dich denn sehen...Aber wie soll ich in den Palast kommen?
Don Giovanni, opera, K. 527: Il mio tesoro intanto
Così fan tutte, opera, K. 588: Un'aura amorosa del nostro tesoro
Così fan tutte, opera, K. 588: Tradito, schernito dal perfido cor
Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384: Hier soll ich dich denn sehen...Aber wie soll ich in den Palast kommen?
Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384: Konstanze, dich wiederzusehen, dich! O wie ängstlich, o wie feurig
Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384: Wenn der Freude Tränen fließen
Die Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384: Ich baue ganz auf deine Stärke
Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: In quegli anni in cui vai poco
La clemenza di Tito, opera, K. 621: Del più sublime soglio
La clemenza di Tito, opera, K. 621: Ah, se fosse intorno al trono
La clemenza di Tito, opera, K. 621: Se all'impero, amici dei
Die Zauberflöte (The Magic Flute), opera, K. 620: Der Vogelfänger bin ich ja
Die Zauberflöte (The Magic Flute), opera, K. 620: Bei Männern, welche Liebe fühlen
Die Zauberflöte (The Magic Flute), opera, K. 620: Papagena! Papagena! Papagena!
Die Zauberflöte (The Magic Flute), opera, K. 620: Pa-Pa-Papagena!-Pa-Pa-Papageno!
Die Zauberflöte (The Magic Flute), opera, K. 620: Ein Mädchen oder Weibchen
Misero! o sogno...Aura che intorno spiri, recitative and aria for tenor & orchestra, K. 431 (K. 425b): Misero! O sogno o son desto? -
Misero! o sogno...Aura che intorno spiri, recitative and aria for tenor & orchestra, K. 431 (K. 425b): Aura, che intorno spiri K 431 (425b)
Con ossequio, con rispetto, aria for tenor & orchestra, K. 210
With Deutsche Grammophon's 2019 compilation Mozartissimo, Rolando Villazón emerges from behind the characters he has portrayed on the operatic stage in selections that offer a more personal portrait of the singer and his relationship with Mozart, his second such collection since 2014's Mozart: Concert Arias. Villazón has portrayed Don Ottavio in Don Giovanni, Ferrando in Così fan tutte, Belmonte in Die Entführung aus dem Serail, Basilio in Le nozze di Figaro, Tito in La clemenza di Tito, and one of his favorite roles, ...
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With Deutsche Grammophon's 2019 compilation Mozartissimo, Rolando Villazón emerges from behind the characters he has portrayed on the operatic stage in selections that offer a more personal portrait of the singer and his relationship with Mozart, his second such collection since 2014's Mozart: Concert Arias. Villazón has portrayed Don Ottavio in Don Giovanni, Ferrando in Così fan tutte, Belmonte in Die Entführung aus dem Serail, Basilio in Le nozze di Figaro, Tito in La clemenza di Tito, and one of his favorite roles, Papageno in Die Zauberflöte -- all distinct personas that require creativity and versatility to distinguish them. While Villazón has invested much as a Mozart tenor, appearing in numerous productions since his recovery from vocal surgery in 2009, and in recordings of the operas for DG, here the selections are less involved with characterization or dramatic action than with a more purely musical offering, emphasizing Villazón's vocal tone and technique. Accompanied on most tracks by...
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Add this copy of Mozartissimo-Best of Mozart to cart. $24.71, new condition, Sold by Revaluation Books rated 4.0 out of 5 stars, ships from Exeter, DEVON, UNITED KINGDOM, published 2020 by DG.
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