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Mozart: Symphony No. 40; Serenades; Piano Concerto No. 20 - Wilma Lipp (soprano); Yvonne Lefébure (piano); Wiener Philharmoniker; Wilhelm Furtwängler (conductor)
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Track Listing
  1. Symphony No. 40 in G minor, K. 550
  2. Die Zauberflöte (The Magic Flute), opera, K. 620: Act 1. O zittre nicht (Queen of Night)
  3. Die Zauberflöte (The Magic Flute), opera, K. 620: Act 2. Der Hölle Rache (Queen of Night)
  4. Piano Concerto No. 20 in D minor, K. 466
  5. Serenade No. 13 for strings in G major ("Eine kleine Nachtmusik"), K. 525
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  1. Symphony No. 40 in G minor, K. 550
  2. Die Zauberflöte (The Magic Flute), opera, K. 620: Act 1. O zittre nicht (Queen of Night)
  3. Die Zauberflöte (The Magic Flute), opera, K. 620: Act 2. Der Hölle Rache (Queen of Night)
  4. Piano Concerto No. 20 in D minor, K. 466
  5. Serenade No. 13 for strings in G major ("Eine kleine Nachtmusik"), K. 525
  6. Serenade No. 10 for winds in B flat major ("Gran Partita"), K. 361 (K. 370a)
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Wilhelm Furtwängler has enjoyed a wide upswing in popularity during the last decade. This is striking, since today most orchestras, especially within the United States, make no attempt whatsoever to bear fruit of any similarity to the artistic, contemplative, and somewhat mystical results that Furtwängler so frequently achieved. What, if anything then, is the real attraction of Furtwängler today? Listeners who are accustomed to modern recordings by orchestras that assert whistle-clean technical perfection and crystalline ...

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