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Morgen: Strauss, Rachmaninov, Duparc - Elsa Dreisig (soprano); Jonathan Ware (piano)
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Track Listing
  1. L'invitation au voyage ("Mon enfant, ma soeur"), song for voice & piano (or orchestra)
  2. Vier letzte Lieder (Four Last Songs), for soprano & orchestra, o.Op. 150 (TrV 296, AV 150)
  3. Songs (6) for voice & piano, Op. 38
  4. Malven ("Aus Rosen, Phlox Zinienflor"), fragment for voice & piano (TrV 297, AV 304)
  5. Phidylé ("L'herbe est molle au sommeil"), song for voice & piano (or orchestra)
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  1. L'invitation au voyage ("Mon enfant, ma soeur"), song for voice & piano (or orchestra)
  2. Vier letzte Lieder (Four Last Songs), for soprano & orchestra, o.Op. 150 (TrV 296, AV 150)
  3. Songs (6) for voice & piano, Op. 38
  4. Malven ("Aus Rosen, Phlox Zinienflor"), fragment for voice & piano (TrV 297, AV 304)
  5. Phidylé ("L'herbe est molle au sommeil"), song for voice & piano (or orchestra)
  6. Sérénade florentine ("Étoile dont la beauté luit"), song for voice & piano (or orchestra)
  7. Aux étoiles, nocturne for orchestra (Poème nocturne)
  8. Chanson triste ("Dans ton coeur..."), song for voice & piano (or orchestra), Op. 2/4
  9. Extase ("Sur un lys pâle"), song for voice & piano (or orchestra)
  10. La vie antérieure ("J'ai longtemps habité..."), song for voice & piano (or orchestra)
  11. Morgen ("Und morgen wird die Sonne wieder scheinen"), song for voice & piano (or orchestra), Op. 27/4 (TrV 170/4)
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Elsa Dreisig is one of Europe's fast-rising sopranos, and Morgen, her second release, was heavily anticipated. She and pianist Jonathan Ware deliver something suitably unconventional with a program of Richard Strauss, Rachmaninov, and Henri Duparc, not typically composers programmed together. The most unusual feature is that the Four Last Songs, Op. posth., of Strauss, are split up and interspersed with the other material. The Four Last Songs title and the grouping of the songs as an individual work were decisions of ...

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