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Monteverdi: Madrigali erotici - Andrew King (tenor); Consort of Musicke; David Thomas (bass); Emma Kirkby (soprano); Judith Nelson (soprano); Paul Elliott (tenor); Poppy Holden (soprano); Richard Wistreich (baritone); Anthony Rooley (conductor)
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  1. Con che soavitą, labbra odorate, madrigal for soprano and instruments (from Book 7), SV 139
  2. Vorrei baciarti, o Fill, madrigal for 2 voices (from Book 7), SV 123
  3. Tempro la cetra, madrigal for tenor & strings (from Book 7), SV 117
  4. Mentre vaga Angioletta ogn'anima gentil cantando alletta, madrigal for 2 tenors (from Book 8), SV 157
  5. Come dolce hoggi l'auretta spira, madrigal for 3 voices (from Book 9), SV 173
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  1. Con che soavitą, labbra odorate, madrigal for soprano and instruments (from Book 7), SV 139
  2. Vorrei baciarti, o Fill, madrigal for 2 voices (from Book 7), SV 123
  3. Tempro la cetra, madrigal for tenor & strings (from Book 7), SV 117
  4. Mentre vaga Angioletta ogn'anima gentil cantando alletta, madrigal for 2 tenors (from Book 8), SV 157
  5. Come dolce hoggi l'auretta spira, madrigal for 3 voices (from Book 9), SV 173
  6. Chiome d'oro, bel thesoro, madrigal for 2 sopranos, 2 violins and lute/harpsichord (from Book 7), SV 143
  7. S'el vostro cor, madonna, madrigal for 2 voices (from Book 7), SV 131
  8. Ohimč, dov'č il mio ben?, madrigal in 4 parts for 2 sopranos (from Book 7), SV 140
  9. Ogni amante č guerrier, madrigal in 4 sections for 1-3 voices (from Book 8), SV 151
  10. Parlo, miser'o taccio?, madrigal for 2 sopranos & bass (from Book 7), SV 136
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Anthony Rooley's 1982 album of Monteverdi madrigals sung and played by the Consort of Musicke is both an appealing set of performances of some of the composer's most beguiling works and a handy snapshot of early Baroque performance practice as it was understood at the time. The authentic performance practice movement was still in its early stages, and a fuller picture of authenticity has evolved since then. These performances are relatively strict rhythmically, in reaction to the earlier, uninformed practice of performing ...

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