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Max Richter: Portrait - Angèle Dubeau (violin); La Pietà; La Pietà; Angèle Dubeau (conductor)
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Track Listing
  1. The Leftovers, television series score: The Leftovers Main Titles
  2. The Leftovers, television series score: Dona Nobis Pacem 2
  3. Memoryhouse, for soloists, ensembles & orchestra: November
  4. Black Mirror: Nosedive, television episode score: The Journey, not the Destination
  5. Songs from Before, for pre-recorded readings, 2 violins, viola, 2 cellos, piano & electronics: Autumn Music 2
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  1. The Leftovers, television series score: The Leftovers Main Titles
  2. The Leftovers, television series score: Dona Nobis Pacem 2
  3. Memoryhouse, for soloists, ensembles & orchestra: November
  4. Black Mirror: Nosedive, television episode score: The Journey, not the Destination
  5. Songs from Before, for pre-recorded readings, 2 violins, viola, 2 cellos, piano & electronics: Autumn Music 2
  6. The Leftovers, television series score: She Remembers
  7. Memoryhouse, for soloists, ensembles & orchestra: Fragment - Embers
  8. The Blue Notebooks, for piano: On the Nature of Daylight - Written on the Sky
  9. Memoryhouse, for soloists, ensembles & orchestra: Sketchbook
  10. Black Mirror: Nosedive, television episode score: The Consolation of Phiosophy
  11. Waltz with Bashir (Vals im Bashir), film score: Andante/Reflection (End Title)
  12. The Leftovers, television series score: Departure (Lullaby) - The Quality of Mercy
  13. Perfect Sense, film score: Luminous
  14. Sleep: Path 19 (Yet Frailest)
  15. Mercy, for violin & piano
  16. Vivaldi's Four Seasons, re-composition for violin, harpsichord & orchestra: Winter II
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This release by French-Canadian violinist Angèle Dubeau falls into a category that hardly existed at the turn of the century, but now has grown increasingly common: the solo recording devoted to music by minimalist composers. These have grown more common, but Dubeau and her all-female ensemble La Pietà have made it into something of a specialty, releasing albums devoted to John Adams, Arvo Pärt, Philip Glass, and Ludovico Einaudi. This one, taking up music by Max Richter, adds a sort of double wrinkle, for some of Richter's ...

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