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Marc-Antoine Charpentier: Leçons de Ténèbres - Aliye Cornish (viola); Anna Dennis (soprano); Anna Harvey (mezzo-soprano); Arcangelo; Ashley Riches (bass);...
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  1. Litanies de la Vierge, motet for 6 voices, chorus, 2 dessus de violes & continuo, H. 83
  2. Magnificat, motet for 3 voices, 2 treble instruments & continuo, H. 73
  3. Ouverture pour le sacre d'un évêque, for 2 flutes, oboe, strings & continuo, H. 536
  4. Première leçon de ténèbres du mercredi saint, motet for baritone, instruments & continuo, H. 120
  5. Seconde leçon des ténèbres du mercredi saint, motet for countertenor & continuo, H. 138
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  1. Litanies de la Vierge, motet for 6 voices, chorus, 2 dessus de violes & continuo, H. 83
  2. Magnificat, motet for 3 voices, 2 treble instruments & continuo, H. 73
  3. Ouverture pour le sacre d'un évêque, for 2 flutes, oboe, strings & continuo, H. 536
  4. Première leçon de ténèbres du mercredi saint, motet for baritone, instruments & continuo, H. 120
  5. Seconde leçon des ténèbres du mercredi saint, motet for countertenor & continuo, H. 138
  6. Troisième leçon de ténèbres du mercredi saint, motet for for baritone, instruments & continuo, H. 123
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Marc-Antoine Charpentier studied in Italy with Giacomo Carissimi, and he was one of the first composers to introduce aspects of Italian styles to France. His big motets lend themselves naturally to operatic singing, and even in liturgical works like the ones collected on this release, the Italian influences are still there. Sample the Magnificat à 3, with its ground bass-like construction and its unusual texture, including three male voices (bass, tenor, and haute-contre). The opening Litanies de la vierge are for a six ...

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Marc-Antoine Charpentier: Leçons de Ténèbres 2018, Hyperion

UPC: 034571281711

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