Iván Fischer's 2012 release of Gustav Mahler's Symphony No. 1 in D major is a straightforward rendition of the published work, presented in gorgeous multichannel sound in the super audio format. This continues Fischer's admirable cycle with the Budapest Festival Orchestra on Channel Classics, and seems to share some of the lightness and joy displayed in their earlier recording of the Symphony No. 4, as well as some of the energy and power demonstrated in their performance of the Symphony No. 2, "Resurrection." It also ...
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Iván Fischer's 2012 release of Gustav Mahler's Symphony No. 1 in D major is a straightforward rendition of the published work, presented in gorgeous multichannel sound in the super audio format. This continues Fischer's admirable cycle with the Budapest Festival Orchestra on Channel Classics, and seems to share some of the lightness and joy displayed in their earlier recording of the Symphony No. 4, as well as some of the energy and power demonstrated in their performance of the Symphony No. 2, "Resurrection." It also shares some of the quirks noticeable in Fischer's other Mahler performances, chiefly his use of rubato and his occasional flexibility with dynamics, which are personal touches. Devotees of the work may quibble with Fischer's interpretive choices, but at least he hasn't incorporated the "Blumine" movement, which many of his contemporaries insert between the first and second movements in their attempts to present something closer to the original version of the piece, the tone poem Der...
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