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Libera nos: The Cry of the Oppressed - Contrapunctus (choir, chorus)
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  1. Civitas sancti tui (also anthem "Bow Thine ear, O Lord"), motet for 5 voices (SAT Bar (or tenor) B)
  2. Libera nos, salva nos, for 5 viols
  3. Super Flumina Babylonis, for 8 voices
  4. Quomodo cantabimus, motet for 8 voices (SSAATTBB)
  5. Sitivit anima mea, motet
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  1. Civitas sancti tui (also anthem "Bow Thine ear, O Lord"), motet for 5 voices (SAT Bar (or tenor) B)
  2. Libera nos, salva nos, for 5 viols
  3. Super Flumina Babylonis, for 8 voices
  4. Quomodo cantabimus, motet for 8 voices (SSAATTBB)
  5. Sitivit anima mea, motet
  6. Laboravi in gemitu meo
  7. Miserere mei Deus, motet for 5 voices (SATBarB or SMezATB)
  8. Lachrimans Sitivit Anima Mea
  9. Plorans Ploravit, motet for 5 voices (SAATB)
  10. In jejunio et fletu, motet for 5 voices, P. 198
  11. Salvator mundi (I) (also set as "Arise O Lord" and "With all our hearts"), motet for 5 voices, P. 216
  12. Inter Vestibulum
  13. Infelix ego, motet for 6 voices (SMez ATBarB)
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The biblical narratives of freedom from oppression have held resonances for people from the time of their composition to the present, but this release by the innovative 12-voice British choir Contrapunctus focuses on two situations: the Protestant dominance of England during the reign of Elizabeth I and James I, and the rule of the Spanish Habsburgs over Portugal at roughly the same time. This thematic approach, comparing the responses of different composers to similar texts and similar historical circumstances, is rarely ...

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Libera nos: The Cry of the Oppressed 2013, Signum Classics

UPC: 635212033821

CD