Milo? Karadaglic, or Milo? for short, is from Montenegro, a more promising locale than you might think for Latin music. Check out some of the old tango recordings from this part of the world sometime. Milo? has matinee idol looks, and for this, his sophomore release (released under two titles, Latino and Pasión), he pursues a dual track: he goes for broad crossover effects while at the same time displaying impeccable technique and exploring unusual enough repertory to attract guitar buffs. The crossover component lies in ...
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Milo? Karadaglic, or Milo? for short, is from Montenegro, a more promising locale than you might think for Latin music. Check out some of the old tango recordings from this part of the world sometime. Milo? has matinee idol looks, and for this, his sophomore release (released under two titles, Latino and Pasión), he pursues a dual track: he goes for broad crossover effects while at the same time displaying impeccable technique and exploring unusual enough repertory to attract guitar buffs. The crossover component lies in the arrangement of some of the works for guitar and orchestra. The arrangements are mostly done by Christoph Israel, the conductor of the Studio Orchestra of the European Film Philharmonic, and they're of a rather curious sort: the orchestra seems almost to hover in the background of the guitar. The effect is a bit unsettling as the orchestra enters the program and disappears again without warning or obvious motivation. Milo? by himself, however, is quite something. He collects a wide...
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