The Dharma at Big Sur, concerto for electric violin & orchestra
My Father Knew Charles Ives, for orchestra
The two works on this album reflect the West Coast and Northeastern sides of John Adams' musical personality. He has fused the two tendencies with uncommon elegance over the years, but here he allows himself the latitude to pay more direct homage to several predecessors who influenced him. The Dharma at Big Sur is a concerto for electric six-string violin and orchestra in two movements. Its most immediately striking aspect is the violin itself, played here by the performer who originated the work, Tracy Silverman. It ...
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The two works on this album reflect the West Coast and Northeastern sides of John Adams' musical personality. He has fused the two tendencies with uncommon elegance over the years, but here he allows himself the latitude to pay more direct homage to several predecessors who influenced him. The Dharma at Big Sur is a concerto for electric six-string violin and orchestra in two movements. Its most immediately striking aspect is the violin itself, played here by the performer who originated the work, Tracy Silverman. It encompasses the range of a violin plus a cello, and it's capable of extended dynamic range and of tones that range from the traditional melancholy to rock aggression. The work was composed for the opening of the new Disney Hall in Los Angeles, the acoustically strong new downtown home of the Los Angeles Philharmonic, and Adams wrote into it subtle orchestral effects as well, deep layers of sound that emerge only intermittently. Adams dutifully described his piece as an evocation of the...
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