With Hymns and Prayers, Gidon Kremer and his ensemble Kremerata Baltica have produced another contemplative album that's largely flavored by Eastern European mysticism. Hungarian composer Stevan Kovacs Tickmayer's Eight Hymns in Memoriam Andrei Tarkovsky is an exquisitely delicate work scored for violin, strings, vibraphone, and piano, and its movement titles provide an apt description of its emotional tone: Calmo, Tranquillo, Sereno, Molto Semplice, and so on. An air of quiet melancholy tinged with a slightly foreboding ...
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With Hymns and Prayers, Gidon Kremer and his ensemble Kremerata Baltica have produced another contemplative album that's largely flavored by Eastern European mysticism. Hungarian composer Stevan Kovacs Tickmayer's Eight Hymns in Memoriam Andrei Tarkovsky is an exquisitely delicate work scored for violin, strings, vibraphone, and piano, and its movement titles provide an apt description of its emotional tone: Calmo, Tranquillo, Sereno, Molto Semplice, and so on. An air of quiet melancholy tinged with a slightly foreboding sense of mystery emanates from the entire piece. It sounds like a logical extension of the work of the "holy minimalists," but Tickmayer uses more dissonance and an unmoored tonality as potent expressive elements. Giya Kancheli, generally considered one of the original "holy minimalists" is represented by his 2007 Silent Prayer for violin, cello, chamber ensemble, and tape, and it's intriguing to compare the works of these two composers who share an aesthetic but who were born nearly...
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