Looking at Chris Thile's recent projects, both the 2004 solo album Deceiver and his recent effort with Nickel Creek, 2005's Why Should the Fire Die?, a listener might experience both trepidation and excitement at the release of his new solo album, How to Grow a Woman from the Ground. This guy's got talent to burn, and in a field -- bluegrass and acoustic music -- that's known for its conservatism, he gleans fresh perspectives from breaking the rules. But Deceiver revealed a talent unraveling in so many different directions ...
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Looking at Chris Thile's recent projects, both the 2004 solo album Deceiver and his recent effort with Nickel Creek, 2005's Why Should the Fire Die?, a listener might experience both trepidation and excitement at the release of his new solo album, How to Grow a Woman from the Ground. This guy's got talent to burn, and in a field -- bluegrass and acoustic music -- that's known for its conservatism, he gleans fresh perspectives from breaking the rules. But Deceiver revealed a talent unraveling in so many different directions that the album finally lacked an identifiable center. Musically, How to Grow a Woman from the Ground is much more organic and cohesive than the eclectic sprawl of Deceiver, relying on acoustic instruments and the talents of guitarist Chris Eldridge, bassist Greg Garrison, banjoist Noam Pikelny, and fiddler Gabe Witcher to hold the sound together. The songs and instrumental selections are also quite strong, though Thile remains eclectic, drawing equally from traditional bluegrass, progressive acoustic, and singer/songwriter traditions. There is a great deal of distance between his cover of Jimmie Rodgers' "Brakeman's Blues" and the surreal lyrics of the title cut, but, thanks to the track sequencing, the album flows well. While both the instrumental pieces and Thile's confessionals are enjoyable, How to Grow a Woman from the Ground's highlights arise from fantastic covers of Jack White's "Dead Leaves and the Dirty Ground" and the traditional "If the Sea Was Whiskey." The surreal lyrics of the title track, written by Tom Brosseau, are accompanied by an equally evocative melody, though the subject matter will probably strike progressive-minded listeners as troubling. How to Grow a Woman from the Ground may not qualify as the most enlightened title of the year, but it does reveal the growth of an adventurous talent. ~ Ronnie D. Lankford, Jr., Rovi
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Add this copy of How to Grow a Woman From the Ground to cart. $3.39, fair condition, Sold by Goodwill rated 5.0 out of 5 stars, ships from Brooklyn Park, MN, UNITED STATES, published 2006 by Sugar Hill.
Add this copy of How to Grow a Woman from the Ground to cart. $3.98, poor condition, Sold by Movie Surplus rated 5.0 out of 5 stars, ships from Mobile, AL, UNITED STATES, published 2006 by Sugar Hill.
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Seller's Description:
Brosseau; Casablancas; Millandorio; Public Domain; Rawlings/Welch; Rodgers; Shelasky; Thile; White. Poor. Used-Acceptable, withdrawn library disc(s) with liner notes. Disc(s) should play great without any playback issues. Disc(s) & liner notes may contain typical library markings like stickers, protective label covers, & writing. Discs may be repackaged in library style casing. Back artwork & any other promo material not included.
Add this copy of How to Grow a Woman From the Ground to cart. $7.72, very good condition, Sold by Wonder Book - Member ABAA/ILAB rated 5.0 out of 5 stars, ships from Frederick, MD, UNITED STATES, published 2006 by Sugar Hill.
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Very Good. Very Good condition. audioCD. Case Acceptable. Case cracked/scuffed. Quality guaranteed! In original artwork/packaging unless otherwise noted.
Add this copy of How to Grow a Woman From the Ground to cart. $7.72, good condition, Sold by Wonder Book - Member ABAA/ILAB rated 5.0 out of 5 stars, ships from Frederick, MD, UNITED STATES, published 2006 by Sugar Hill.
This is an awesome CD! I searched everywhere for it, and when I finally found it, it was definitely worth my money. For those of you that it might bother, he uses the f-word on track 12...Otherwise, it's absolutely fantastic, one of my favorite CDs.