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Heavenly Love, Earthly Joy - Julian Bream (lute); Peter Pears (tenor)
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Track Listing
  1. Absence, hear thou my protestation, song for voice with lute & bass viol
  2. What Then Is Love But Mourning
  3. I saw my lady weep, for 2 voices & lute (Second Book of Song)
  4. If She Forsake Me
  5. Dear, if you change, I'll never choose again, for 4 voices & lute (First Book of Songs)
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  1. Absence, hear thou my protestation, song for voice with lute & bass viol
  2. What Then Is Love But Mourning
  3. I saw my lady weep, for 2 voices & lute (Second Book of Song)
  4. If She Forsake Me
  5. Dear, if you change, I'll never choose again, for 4 voices & lute (First Book of Songs)
  6. Come, Phyllis
  7. Stay, Time, awhile thy flying, for 4 voices & lute (A Pilgrimes Solace)
  8. It was a lover and his lass, song for voice with lute & bass viol
  9. Weep you no more, sad fountains, for 4 voices & lute (Third Book of Songs)
  10. When Laura Smiles
  11. Faire Sweet Cruell for 4 voices & instruments
  12. Shall I sue, shall I seek for grace?, for 4 voices & lute (Second Book of Songs)
  13. Sweet stay awhile, why will you rise?, for 4 voices & lute (A Pilgrimes Solace)
  14. Who is it that this darke night, song for voice with lute & bass viol
  15. Can she excuse my wrongs, for 4 voices & lute (First Book of Songs)
  16. Come, heavy sleep, for 4 voices & lute (First Book of Songs)
  17. Wilt thou unkind thus reave me of my heart, for 4 voices & lute (First Book of Songs)
  18. Sorrow, stay, lend true repentant tears, for 2 voices & lute (Second Book of Songs)
  19. The lowest trees have tops, for 4 voices & lute (Third Book of Songs)
  20. Time's eldest son, Old Age, song in 3 sections for 2 voices & lute (Second Book of Songs)
  21. In darkness let me dwell, for voice, lute & bass viol (A Musicall Banquet)
  22. Say, Love if ever thou didst find, for 4 voices & lute (Third Book of Songs)
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This reissue features a collection of lute songs by John Dowland, Thomas Morley, Philip Rosseter, and Thomas Ford, performed by tenor Peter Pears and lutenist Julian Bream. The listener's response to this CD will probably depend on his or her appreciation of Pears' voice. Anyone who finds Pears' distinctive timbre unpleasant will want to look elsewhere for performances of this repertoire. Pears is in good form and his tone is as full as it has ever been on recordings. In Morley's "It Was a Lover and His Lass," he sings with ...

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