The King Shall Rejoice, coronation anthem No. 3 for chorus & orchestra, HWV 260
Te Deum (Queen Caroline) in D major, HWV 280
The Ways of Zion Do Mourn (Funeral Anthem for Queen Caroline), for chorus & orchestra, HWV 264
Wilhelmina Charlotte Caroline von Brandenburg-Ansbach was the wife of King George II of England. She knew Handel when he was a young man in Germany, benefited his career there, and in England stimulated works in which he had all cylinders firing. The Te Deum in D major, HWV 280, was written to mark her arrival in Britain after her father-in-law, George I, became king, and it's a well-known early Handel work written somewhat in the style of Purcell. The King Shall Rejoice, HWV 260, is a brief but splendid anthem written for ...
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Wilhelmina Charlotte Caroline von Brandenburg-Ansbach was the wife of King George II of England. She knew Handel when he was a young man in Germany, benefited his career there, and in England stimulated works in which he had all cylinders firing. The Te Deum in D major, HWV 280, was written to mark her arrival in Britain after her father-in-law, George I, became king, and it's a well-known early Handel work written somewhat in the style of Purcell. The King Shall Rejoice, HWV 260, is a brief but splendid anthem written for the coronation of the new king and queen in 1727, and The Ways of Zion Do Mourn, HWV 264, was composed for the queen's funeral in 1737. Mozart knew this work, to judge from the beginning of the Requiem in D minor, K. 626, and the great British music critic Burney thought it Handel's greatest work; it offers a sustained 40-plus minutes of pathos enriched by the tradition of Lutheran chorales, an influence not often heard in his music. Given all this, the work is underplayed, and it's...
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