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Handel: Harpsichord Suites (1720) ()

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composed by George Frederick Handel

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Handel: Harpsichord Suites (1720) - Jory Vinikour (harpsichord)
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Track Listing
  1. Suite for keyboard (Suite de piece), Vol.1, No.1 in A major, HWV 426
  2. Suite for keyboard (Suite de piece), Vol.1, No.2 in F major, HWV 427
  3. Suite for keyboard (Suite de piece), Vol.1, No.3 in D minor, HWV 428: Presto
  4. Suite for keyboard (Suite de piece), Vol.1, No.3 in D minor, HWV 428: Allegro
  5. Suite for keyboard (Suite de piece), Vol.1, No.3 in D minor, HWV 428: Allemande
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  1. Suite for keyboard (Suite de piece), Vol.1, No.1 in A major, HWV 426
  2. Suite for keyboard (Suite de piece), Vol.1, No.2 in F major, HWV 427
  3. Suite for keyboard (Suite de piece), Vol.1, No.3 in D minor, HWV 428: Presto
  4. Suite for keyboard (Suite de piece), Vol.1, No.3 in D minor, HWV 428: Allegro
  5. Suite for keyboard (Suite de piece), Vol.1, No.3 in D minor, HWV 428: Allemande
  6. Suite for keyboard (Suite de piece), Vol.1, No.3 in D minor, HWV 428: Courante
  7. Suite for keyboard (Suite de piece), Vol.2, No.4 in D minor, HWV 437: Sarabande with 2 variations
  8. Suite for keyboard (Suite de piece), Vol.1, No.3 in D minor, HWV 428: Air
  9. Suite for keyboard (Suite de piece), Vol.1, No.3 in D minor, HWV 428: Doubles
  10. Suite for keyboard (Suite de piece), Vol.1, No.3 in D minor, HWV 428: Presto
  11. Suite for keyboard (Suite de piece), Vol.1, No.4 in E minor, HWV 429
  12. Suite for keyboard (Suite de piece), Vol.1, No.5 in E major ("The Harmonious Blacksmith"), HWV 430
  13. Suite for keyboard (Suite de piece), Vol.1, No.6 in F sharp minor, HWV 431
  14. Suite for keyboard (Suite de piece), Vol.1, No.7 in G minor, HWV 432
  15. Suite for keyboard (Suite de piece), Vol.1, No.8 in F minor, HWV 433
  16. Chaconne for harpsichord in G major (Suite No 2 of the 2nd set of Harpsichord suites), HWV 435
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Harpsichordist Jory Vinikour, American-born and French-trained, enters a fairly crowded field with this set of Handel's suites for harpsichord and emerges with a strong showing. He avoids the bouncy quality that can work well in Handel in general but isn't quite suited to these suites. Although their movements bear the titles of French dances, they aren't like Couperin's suites or even those of Bach; they reach back to the German generation that Handel knew in his youth, with a rather severe quality that does not preclude ...

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