The Argentine countertenor Franco Fagioli, with his mighty voice, has always been easy to imagine as one of the castrati with whom Handel contended at the height of his operatic career. He brings both power and flair to fast passagework, and that doesn't change here in such arias as Venti, turbine, prestate, from Rinaldo, HWV 7a. What's different this time is the expertise Fagioli brings to the slow numbers. For the most part, Fagioli does not essay unusual repertory here, except in the final Ch'io parta?, from Partenope, ...
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The Argentine countertenor Franco Fagioli, with his mighty voice, has always been easy to imagine as one of the castrati with whom Handel contended at the height of his operatic career. He brings both power and flair to fast passagework, and that doesn't change here in such arias as Venti, turbine, prestate, from Rinaldo, HWV 7a. What's different this time is the expertise Fagioli brings to the slow numbers. For the most part, Fagioli does not essay unusual repertory here, except in the final Ch'io parta?, from Partenope, HWV 27, which elegantly ends the program on a question and frames the whole thing nicely with the opening aria from Oreste, HWV A11. For the most part, though, Fagioli sticks to familiar territory, and he lays claim to it. Sample the intense but understated performance of Ombra mai fu, from Act One of Serse, HWV 40, which seems to allude to its suppressed emotion rather than laying it on the line. The historical-instrument group Il Pomo d'Oro, here under violinist Zefira Valova, is...
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Add this copy of Handel Arias to cart. $12.16, fair condition, Sold by Service First Media rated 5.0 out of 5 stars, ships from Taylorsville, KY, UNITED STATES, published 2018 by Deutsche Grammophon.
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Add this copy of Händel Arias to cart. $31.46, new condition, Sold by Revaluation Books rated 4.0 out of 5 stars, ships from Exeter, DEVON, UNITED KINGDOM, published 2018 by Decca (UMO) Classics.
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