Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17): I. Introduction. Combats - Tumulte - Intervention du prince
Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17): II. Roméo seul - Tristesse - Concert et bal - Grande fête chez Capulet
Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17): III. Scène d'amour
Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17): IV. La reine Mab, ou la fée des songes
Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17): I. Introduction. Combats - Tumulte - Intervention du prince
Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17): II. Roméo seul - Tristesse - Concert et bal - Grande fête chez Capulet
Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17): III. Scène d'amour
Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17): IV. La reine Mab, ou la fée des songes
Roméo et Juliette, for alto, tenor, bass, chorus & orchestra ("symphonie dramatique"), H.79 (Op. 17): VI. Roméo au tombeau des Capulets - Invocation - Réveil de Juliette
La Mer, symphonic sketches (3) for orchestra, CD 111 (L. 109)
Salome's Dance, for orchestra (from the opera; aka "Dance of the Seven Veils") (TrV 215a)
One of the great conductors of the twentieth century? Dimitri Mitropoulos? Really? Certainly. He didn't conduct Haydn, Mozart, Beethoven, or Brahms. He favored late nineteenth and early twentieth century composers like Mahler, Berg, and Schoenberg. He was also a dictator, a saint, a martyr, and from all reports one of the most charismatic conductors of his time. But while there's not much of Mitropoulos left in print, if there was only this two-disc set, there would still be enough to support the notion that Mitropoulos was ...
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One of the great conductors of the twentieth century? Dimitri Mitropoulos? Really? Certainly. He didn't conduct Haydn, Mozart, Beethoven, or Brahms. He favored late nineteenth and early twentieth century composers like Mahler, Berg, and Schoenberg. He was also a dictator, a saint, a martyr, and from all reports one of the most charismatic conductors of his time. But while there's not much of Mitropoulos left in print, if there was only this two-disc set, there would still be enough to support the notion that Mitropoulos was one of the great conductors of the twentieth century. To start with, there's the magnificent 1959 WDR Orchestra recording of Mahler's Sixth: the most excruciatingly intense performance of the piece ever recorded. Then there are the stupendous 1952 New York Philharmonic excerpts from Berlioz's Romeo et Juliette: the most inexorably compelling performances of the piece ever recorded. Then there's the astounding 1950 New York Philharmonic recording of Debussy's La Mer: the most...
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