Mefistofele, opera in prologue, 4 acts & epilogue: Act 2. Ballata. Ecco il mondo, vuoto e tondo
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra ("légende dramatique"), H. 111 (Op. 24): Part 2. Aria. Voici des roses
Don Carlo, opera: Act 4. Scena e Cantabile. Ella giammai m'amň! - Dormirň sol nel manto mio regal
Mefistofele, opera in prologue, 4 acts & epilogue: Act 2. Ballata. Ecco il mondo, vuoto e tondo
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra ("légende dramatique"), H. 111 (Op. 24): Part 2. Aria. Voici des roses
Don Carlo, opera: Act 4. Scena e Cantabile. Ella giammai m'amň! - Dormirň sol nel manto mio regal
Les contes d'Hoffmann, opera in 4 acts: Act 4. Giulietta / Chanson. Scintille, diamant
Das Rheingold (The Rhine Gold), opera, WWV 86a: Scene 4. Abendlich strahlt der Sonne Auge
Tristan und Isolde, opera, WWV 90: Act 2. Tatest du's wirklich? Wähnst du das?
The Demon (Der Dämon), opera: Act 2. Romance. Na vozdusnom okeane
The Demon (Der Dämon), opera: Act 2. Romance. Ne plac, ditya
Rusalka, opera, B. 203 (Op. 114): Act 2. Beda! Beda! - Celý svet nedá ti
Boris Godunov, opera (Rimsky-Korsakov edition): Act 4. Oy, dusno, dusno! - Proscay, moy sin / Death of Boris
Bass René Pape has been a highly visible presence on the international opera scene since the early '90s, so it's surprising that this release is his first solo album. It includes some of his signature roles from Wagner and Verdi, as well as some selections from more obscure operas and roles he hasn't yet sung onstage. The title, Gods, Kings, & Demons, aptly reflects the character of the majority of bass roles in opera. In this collection, the demons get the bulk of the attention. Pape includes excerpts from three of the big ...
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Bass René Pape has been a highly visible presence on the international opera scene since the early '90s, so it's surprising that this release is his first solo album. It includes some of his signature roles from Wagner and Verdi, as well as some selections from more obscure operas and roles he hasn't yet sung onstage. The title, Gods, Kings, & Demons, aptly reflects the character of the majority of bass roles in opera. In this collection, the demons get the bulk of the attention. Pape includes excerpts from three of the big Faust operas -- Faust, Mefistofele, and La Damnation de Faust (Busoni's Mephistopheles is a tenor) -- as well as Rubinstein's Demon and Dvorák's Rusalka. The variety of these depictions of the malevolent is a testimony to both the composers' inventiveness and Pape's dramatic gifts. The two selections from Faust, "Le veau d'or" and "Vous qui faites l'endormie," demonstrate Pape's ability to color his voice and shape his delivery to convey the complexity of the character of...
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