Skip to main content alibris logo
Giulio Caccini and His Circle - La Nuova Musica; David Bates (conductor)
Filter Results
Shipping
Item Condition
Seller Rating
Other Options
Change Currency
Track Listing
  1. E così a poc'a poco torno farfalla, madrigal for 7 voices & continuo (from Book 5), SV 105
  2. Movetevi a pieta
  3. Queste lagrim'amare, for voice & continuo
  4. Dolcissimo sospiro, for voice & continuo
  5. Tasteggio Soave, for theorbo
Show All Tracks
  1. E così a poc'a poco torno farfalla, madrigal for 7 voices & continuo (from Book 5), SV 105
  2. Movetevi a pieta
  3. Queste lagrim'amare, for voice & continuo
  4. Dolcissimo sospiro, for voice & continuo
  5. Tasteggio Soave, for theorbo
  6. Amor, io parto
  7. Sfogava con le stelle un infermo d'amore, madrigal for 5 voices (from Book 4), SV 78
  8. Non più guerra pietate, madrigal for 5 voices (from Book 4), SV 88
  9. Non più guerra, pietate, for voice & continuo (Le Nuove Musiche)
  10. Work(s): Toccata from Libro Primo
  11. Perfidissimo volto, madrigal for 5 voices (from Book 3), SV 69
  12. Perfidissimo volto, for voice & continuo (Le Nuove Musiche)
  13. Il primo libro d'intavolatura di toccate di cimbalo et organo, No.10, Toccata decima
  14. Vedro'l mio sol
  15. Amarilli mia bella, for voice & continuo (from Le nuove musiche)
  16. Cruda Amarilli, madrigal for 5 voices (from Book 5), SV 94
  17. Amarilli di Julio Romano, for keyboard (Fitzwilliam Virginal Book, No. 82)
  18. Sfogava con le stelle, for voice & continuo
  19. Fortunato augellino
  20. Quel augellin che canta si dolcemente, madrigal for 5 voices (from Book 4), SV 87
  21. Dovrò dunque morire, song for voice & continuo or lute
  22. Filli, mirando il cielo, madrigal for voice & continuo
  23. Innefabile ardor, madrigal for 6 voices & continuo
Show Fewer Tracks

Somm's Giulio Caccini and His Circle, featuring the English period vocal ensemble La Nuova Musica led by countertenor David Bates, is scrupulously researched, has well written notes (though in a very small typeface), and observes a solid premise behind investigating the "new music" current in Venice in the early decades of the 1600s, the flashpoint of the Baroque. One might argue about the inclusion of lutenist Giovanni Kapsberger in the mix, as he is often thought of as belonging to a somewhat later time than this is ...

loading