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Francis Poulenc: Mass in G; Un Soir de neige; Litanies a la Vierge Noire; Etc. - Charlotte Mobbs (soprano); Katy Hill (soprano); Robert Quinney (organ); The Sixteen (choir, chorus)
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  1. Salve Regina, for chorus, FP 110
  2. Quatre motets pour un temps de pénitence, for chorus, FP 97
  3. Litanies à la Vierge Noire, for female (or children's) chorus & organ, FP 82a
  4. Quatre motets pour le temps de Noël, for chorus, FP 152
  5. Un soir de neige, chamber cantata for 6 voices (or chorus), FP 126
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  1. Salve Regina, for chorus, FP 110
  2. Quatre motets pour un temps de pénitence, for chorus, FP 97
  3. Litanies à la Vierge Noire, for female (or children's) chorus & organ, FP 82a
  4. Quatre motets pour le temps de Noël, for chorus, FP 152
  5. Un soir de neige, chamber cantata for 6 voices (or chorus), FP 126
  6. Ave Verum Corpus, motet for female chorus, FP 154
  7. Mass in G major for chorus, FP 89
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The sacred music of Francis Poulenc would seem somewhat off the regular path of the popular British choir The Sixteen, but in a recording of the cantata Figure humaine and again with the present selection of sacred choral works, they show themselves to be sensitive and skillful Poulenc interpreters. On one hand this isn't a surprise: Poulenc drew on the Renaissance repertoire that is The Sixteen's bread and butter. They can deliver the clean lines and the vocal homogeneity that the basic style demands. But this is not neo ...

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