Elgar: Violin Concerto; Vaughan Williams: The Lark Ascending (2004)

Violinist Hilary Hahn had made several critically acclaimed recordings before this 2004 outing, some of them as a teenage phenomenon. But perhaps it was this reading of Elgar's Violin Concerto in B minor, Op. 61, that served notice on the musical world: here was one of the foremost violinists of our time. The Elgar concerto is a punishing, long, difficult work that requires the player to keep hold of the long-distance plan while touching the listener's emotions at many individual junctures, and Hahn succeeds in every way. ... Read More

Violinist Hilary Hahn had made several critically acclaimed recordings before this 2004 outing, some of them as a teenage phenomenon. But perhaps it was this reading of Elgar's Violin Concerto in B minor, Op. 61, that served notice on the musical world: here was one of the foremost violinists of our time. The Elgar concerto is a punishing, long, difficult work that requires the player to keep hold of the long-distance plan while touching the listener's emotions at many individual junctures, and Hahn succeeds in every way. Elgar called the concerto "awfully emotional, too emotional, but I love it," and the fact that it was written for Fritz Kreisler has led some to prefer more vibrato-laden readings than the one delivered here. Elgar did conduct the premiere performance with Kreisler, but that did not close the book on possible readings, and Hahn's more Apollonian tone has spectacular results here. Sample the finale, starting about a minute in, and note the charisma and total aplomb with which she... Read Less

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