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Elgar: The Hills of Dreamland - Orchestral Songs - Barry Collett (piano); Henk Neven (baritone); Kathryn Rudge (mezzo-soprano); Nathalie De Montmollin (soprano);...
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Track Listing
  1. Song Cycle, for voice & orchestra, Op. 59 (3 complete of 6)
  2. Songs (2) for voice & piano, Op. 60
  3. Pleading, song for voice & piano, Op. 48
  4. Follow The Colours, for chorus & orchestra: Marching Song for Soldiers
  5. The King's Way, song for voice & piano
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  1. Song Cycle, for voice & orchestra, Op. 59 (3 complete of 6)
  2. Songs (2) for voice & piano, Op. 60
  3. Pleading, song for voice & piano, Op. 48
  4. Follow The Colours, for chorus & orchestra: Marching Song for Soldiers
  5. The King's Way, song for voice & piano
  6. Grania and Diarmid, incidental music, Op. 42
  7. Like to the Damask Rose, song for voice & piano
  8. Songs (3) for voice & piano, Op. 16: The Shepherd's Song
  9. Dry those Fair, those Crystal Eyes, song for voice & piano
  10. The Millwheel Songs, songs (2) for voice & piano: Winter
  11. Muleteer's Serenade, song for voice & piano
  12. As I laye a-thinkynge, song for voice & piano
  13. Queen Mary's Song, for voice & piano
  14. Songs (2) for voice & piano, Op. 60
  15. Songs (2) for voice & piano, Op. 41
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At least outside Britain, Edward Elgar is sometimes stereotyped as a composer of ponderous orchestral and choral scores, as well as of the patriotic Pomp and Circumstance. His songs, not an often exposed part of his output, reveal him as an often fine melodist. The Op. 59 set of orchestral songs that opens the album is consistently strong, and you can sample "The Wind at Dawn," which started life as a song for voice and piano, for an idea of the whole. There is a patriotic march tune, Follow the Colours, and a whole CD ...

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