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Duparc: Chansons - Emily Pulley (soprano); Paul Groves (tenor); Roger Vignoles (piano)
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Track Listing
  1. Sérénade ("Si j'étais, ô mon amoureuse"), song for voice & piano, Op. 2/2
  2. Chanson triste ("Dans ton coeur..."), song for voice & piano (or orchestra), Op. 2/4
  3. Le manoir de Rosamonde ("De sa dent soudaine et vorace"), song for voice & piano (or orchestra)
  4. L'invitation au voyage ("Mon enfant, ma soeur"), song for voice & piano (or orchestra)
  5. Phidylé ("L'herbe est molle au sommeil"), song for voice & piano (or orchestra)
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  1. Sérénade ("Si j'étais, ô mon amoureuse"), song for voice & piano, Op. 2/2
  2. Chanson triste ("Dans ton coeur..."), song for voice & piano (or orchestra), Op. 2/4
  3. Le manoir de Rosamonde ("De sa dent soudaine et vorace"), song for voice & piano (or orchestra)
  4. L'invitation au voyage ("Mon enfant, ma soeur"), song for voice & piano (or orchestra)
  5. Phidylé ("L'herbe est molle au sommeil"), song for voice & piano (or orchestra)
  6. Testament ("Pour que le vent te les apporte"), song for voice & piano (or orchestra)
  7. Sérénade florentine ("Étoile dont la beauté luit"), song for voice & piano (or orchestra)
  8. Soupir ("Ne jamais la voir"), song for voice & piano (or orchestra), Op. 2/1
  9. La vague et la cloche ("Une fois, terrassé par un puissant breuvage"), song for voice & piano (or orchestra)
  10. Extase ("Sur un lys pâle"), song for voice & piano (or orchestra)
  11. La vie antérieure ("J'ai longtemps habité..."), song for voice & piano (or orchestra)
  12. Le Galop ("Agite, bon cheval"), song for voice & piano (or orchestra), Op. 2/5
  13. Lamento ("Connaissez-vous la blanche tombe"), song for voice & piano
  14. Elégie ("Oh! ne murmurez pas son nom!"), song for voice & piano (or orchestra)
  15. La Fuite ("Au firmament sans étoile"), duet for soprano, tenor & piano,
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Paul Groves' and pianist Roger Vignoles' nearly complete survey of the songs of Henri Duparc is a better-than-average addition to Naxos' expansive catalog. Vignoles is an old pro in this repertory, having already recorded all of the Duparc songs with Thomas Allen and Sarah Walker on Hyperion in the 1980s. His playing is subtly textured and stylistic, and its gravity shapes these often sprawling songs into coherent dramas in miniature, even if the stormier poems, like "Testament," could use a more full-blooded touch. Groves ...

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