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Claudio Monteverdi: Messa a quattro voci et Salmi of 1650, Vol .2 - Alastair Ross (harpsichord); Alastair Ross (organ); Andrea Jones (violin); Ben Davies (bass); Daniel Collins (alto);...
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  1. Dixit Dominus (II) (alla breve), motet for 8 voices (from Messa a quatro voci, et Salmi), SV 192
  2. Salve Regina, antiphon for 4 voices
  3. Laetatus sum (I), motet for 6 voices, bassoon, 2 trombones & 2 violins (from Messa a quatro voci, et Salmi), SV 198
  4. Mass for 4 voices da cappella, for 4 voices & organ (from Mass for 4 voices & Psalms), SV 190
  5. Laudate Dominum, O omnes gentes, motet for bass (from Messa a quatro voci, et Salmi), SV 197
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  1. Dixit Dominus (II) (alla breve), motet for 8 voices (from Messa a quatro voci, et Salmi), SV 192
  2. Salve Regina, antiphon for 4 voices
  3. Laetatus sum (I), motet for 6 voices, bassoon, 2 trombones & 2 violins (from Messa a quatro voci, et Salmi), SV 198
  4. Mass for 4 voices da cappella, for 4 voices & organ (from Mass for 4 voices & Psalms), SV 190
  5. Laudate Dominum, O omnes gentes, motet for bass (from Messa a quatro voci, et Salmi), SV 197
  6. Mass for 4 voices da cappella, for 4 voices & organ (from Mass for 4 voices & Psalms), SV 190
  7. Chiaconna
  8. Confitebor tibi, Domine I, motet for 1 voice & 2 violins (from Missa á 4 voci et Salmi), SV 193
  9. Lauda, Jerusalem, Dominum (II), motet for 5 voices (from Messa a quatro voci, et Salmi), SV 203
  10. Nisi Dominus aedificaverit domum (II), for 6 voices (from Mass for 4 voices & Psalms), SV 201
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The Sixteen and its leader, Harry Christophers, have devoted several albums to late Monteverdi, and all are quite good: Christophers' note that the choir found the sessions rewarding seems entirely believable, and the ensemble seems to get back to its historical performance roots with sharp, small-ensemble singing and lively, shifting continuo playing. This may be an especially choice item in the series, for it covers music that has not been as widely recorded as other Monteverdi choral works. The Messa a quattro voci et ...

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