Pastorale sur la naissance de Notre Seigneur Jésus Christ, for 4 voices, chorus, instruments & continuo, H. 483
In nativitatem Domini Nostri Jesu Christi Canticum, histoire sacrée for 4 voices, chorus, 2 treble instruments & continuo, H. 414
Although during his lifetime he was overshadowed by his contemporary Lully, Marc-Antoine Charpentier has been rediscovered as one of the most prolific and versatile composers of the French middle Baroque. William Christie and his vocal and instrumental ensemble Les Arts Florissants bring their considerable expertise in period performance practice; gorgeous, pure sound; and an infectious passion to this music. Christie's organic flexibility of tempo gives the music an unforced sense of momentum and urgency, and the ...
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Although during his lifetime he was overshadowed by his contemporary Lully, Marc-Antoine Charpentier has been rediscovered as one of the most prolific and versatile composers of the French middle Baroque. William Christie and his vocal and instrumental ensemble Les Arts Florissants bring their considerable expertise in period performance practice; gorgeous, pure sound; and an infectious passion to this music. Christie's organic flexibility of tempo gives the music an unforced sense of momentum and urgency, and the straightforward, unmannered performances allow the drama to blossom. Charpentier's charming and exuberant Pastorale sur la naissance de Notre Seigneur Jésus-Christ, a drama of the shepherds' vision of the heavenly host and their homage at the stable in Bethlehem, owes a musical and dramatic debt to "bergeries," popular pastoral plays of shepherds and shepherdesses, in its incorporation of popular dance forms and its lightness of touch. His brief Latin oratorio In Navitatem D.N.J.C. Canticum,...
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