Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of C???zanne's painting. He shows how C???zanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of C???zanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and ...
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Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of C???zanne's painting. He shows how C???zanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of C???zanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well.
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Add this copy of Cezanne and the End of Impressionism: a Study of the to cart. $6.88, fair condition, Sold by ThriftBooks-Reno rated 4.0 out of 5 stars, ships from Reno, NV, UNITED STATES, published 1986 by University of Chicago Press.
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