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Ce Diabolic Chant: Ballades, Rondeaus & Virelais of the late fourteenth century - Geoffrey Shaw (baritone); Margaret Philpot (alto); Medieval Ensemble of London; Michael George (baritone);...
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  1. Prophilias, un des nobles de Roume, ballade
  2. À l'arbe sec puis estre comparé, ballade
  3. Pictagoras Jabol et Orpheüs, ballade
  4. Work(s): Je me merveil / J'ay pluserus fois, ballade
  5. En ce gracieux tamps joli, virelai for 3 voices
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  1. Prophilias, un des nobles de Roume, ballade
  2. À l'arbe sec puis estre comparé, ballade
  3. Pictagoras Jabol et Orpheüs, ballade
  4. Work(s): Je me merveil / J'ay pluserus fois, ballade
  5. En ce gracieux tamps joli, virelai for 3 voices
  6. Fuions de ci, fuions, povre compaigne, ballade
  7. Dieux gart qui bien le chantera, rondeau for 3 voices
  8. Or voit tout en aventure, ballade for 3 voices
  9. La harpe de melodie, virelai for 3 voices
  10. En attendant esperance conforte, ballade
  11. Tel me voit et me regarde, virelai
  12. Si con cy gist mon cuer en grief martire, ballade
  13. Le Sault perilleux a l'aventure prins, ballade (from the Chantilly Manuscript)
  14. En atendant d'avoir la douce vie, rondeau (from the Chantilly Manuscript)
  15. En Albion de fluns environée, ballade
  16. Se j'ay perdu toute ma part, rondeau
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In the history of western music, the works of the late Medieval period are among the most foreign-sounding to modern ears -- they can delight those who love musical novelty, but can seem just plain odd to listeners who are most at home in the Baroque/Classical/Romantic repertoire. The music often has a strong but irregular or shifting pulse, with what feels like dropped or extra beats; an exaggeratedly melismatic style of text setting, in which a single syllable can be stretched over what seems like pages; an angular style ...

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Ce Diabolic Chant: Ballades, Rondeaus & Virelais of the late fourteenth century 2007, L'Oiseau-Lyre

UPC: 028947591191

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