Sakari Oramo's hybrid SACD of Carl Nielsen's most popular symphonies, the Symphony No. 4, "The Inextinguishable," and the Symphony No. 5, is a sonic showcase of works that ordinarily aren't treated as display pieces. Nielsen's scoring is clean and precise, and his handling of the orchestra is distinctive and often brilliant, so it's only natural that Oramo would take full advantage of the resources of the superb Royal Stockholm Philharmonic Orchestra and BIS' state-of-the-art technology to present these symphonies with ...
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Sakari Oramo's hybrid SACD of Carl Nielsen's most popular symphonies, the Symphony No. 4, "The Inextinguishable," and the Symphony No. 5, is a sonic showcase of works that ordinarily aren't treated as display pieces. Nielsen's scoring is clean and precise, and his handling of the orchestra is distinctive and often brilliant, so it's only natural that Oramo would take full advantage of the resources of the superb Royal Stockholm Philharmonic Orchestra and BIS' state-of-the-art technology to present these symphonies with optimal sound quality. However, while listeners will be amazed by the incredible tone colors and the fantastic separation of parts in these recordings, they should still appreciate the symphonies for the strength of their ideas and the rigor of their development: these are serious essays that must be regarded among the greatest of symphonies. Nielsen's organic structures are strikingly clear in Oramo's interpretations, and there isn't any of the murkiness that attends other performances...
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