Andris Nelsons' first recording with the Gewandhausorchester Leipzig also initiates a Bruckner cycle for Deutsche Grammophon, and this live recording of the frequently revised Symphony No. 3 in D minor is an auspicious start indeed. Using the 1888/1889 version, edited by Leopold Nowak, Nelsons has chosen one of the least controversial variants of the symphony, shorn of its Wagner quotations and trimmed to an hour in duration. For decades, this has been one of the most frequently recorded revisions, and it may signify ...
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Andris Nelsons' first recording with the Gewandhausorchester Leipzig also initiates a Bruckner cycle for Deutsche Grammophon, and this live recording of the frequently revised Symphony No. 3 in D minor is an auspicious start indeed. Using the 1888/1889 version, edited by Leopold Nowak, Nelsons has chosen one of the least controversial variants of the symphony, shorn of its Wagner quotations and trimmed to an hour in duration. For decades, this has been one of the most frequently recorded revisions, and it may signify Nelsons' preferences for this project, perhaps to stick with recognizable Bruckner and to avoid the less familiar originals that have been recorded by several contemporary conductors, including Simone Young, Marcus Bosch, and Yannick Nézet-Séguin. Interestingly, while lacking the Wagner passages, this performance of the Symphony No. 3 has been programmed with the Overture to Tannhäuser, perhaps in the interest of maintaining the historical connection between the composers, even though...
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