Several conductors associated with period-style performances of Baroque and Classical music have turned their batons to Romantic works, trying out what is known of authentic 19th century practices on repertoire that has otherwise been burdened by 20th century interpretations. In this 2010 release by John Eliot Gardiner and the Orchestre Revolutionnaire et Romantique, attention is focused on the Symphony No. 4 in E minor by Johannes Brahms, notwithstanding the first nine tracks, which offer shorter works by Beethoven, ...
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Several conductors associated with period-style performances of Baroque and Classical music have turned their batons to Romantic works, trying out what is known of authentic 19th century practices on repertoire that has otherwise been burdened by 20th century interpretations. In this 2010 release by John Eliot Gardiner and the Orchestre Revolutionnaire et Romantique, attention is focused on the Symphony No. 4 in E minor by Johannes Brahms, notwithstanding the first nine tracks, which offer shorter works by Beethoven, Gabrieli, Schütz, Bach, and Brahms as a warm-up. These tracks serve as an excellent sampler of what Gardiner, the Monteverdi Choir, and the orchestra of original instruments usually record, with an emphasis on early music and particularly choral works. All the same, approach the performance of the symphony with the foreknowledge that Gardiner likes his tempos quite brisk, a string tone with minimal vibrato and a characteristic timbral sheen, and a lean and transparent ensemble sound -- all...
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Add this copy of Brahms: Symphony No.4 (Coriolan Overture/ Sanctus/ to cart. $31.96, new condition, Sold by Revaluation Books rated 4.0 out of 5 stars, ships from Exeter, DEVON, UNITED KINGDOM, published 2010 by SOLI DEO GLORIA: 843183070527.
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