The Bach Mass in B minor, BWV 232, assembled from bits and pieces over some years, coheres in its final form in ways that perhaps only the composer understood. This recording by the Choir of Trinity College Cambridge and Orchestra of the Age of Enlightenment under Stephen Layton has been road-tested in performances around Britain for several years, but it hasn't lost the enthusiasm of its youthful singers. With a choir of 40+, it's not a recording for the historical-performance crowd, but it's musical, filled with clear, ...
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The Bach Mass in B minor, BWV 232, assembled from bits and pieces over some years, coheres in its final form in ways that perhaps only the composer understood. This recording by the Choir of Trinity College Cambridge and Orchestra of the Age of Enlightenment under Stephen Layton has been road-tested in performances around Britain for several years, but it hasn't lost the enthusiasm of its youthful singers. With a choir of 40+, it's not a recording for the historical-performance crowd, but it's musical, filled with clear, bright contrasts, and really quite grand. Layton takes a deliberate approach to the score, catching its long lines and letting the choir swell and surprise when they want to. The contrasts also involve the soloists, a varied bunch of well-known names that keep things exciting. The bloomy voice of soprano Katherine Watson might or might not be to your taste, but it plays well off the others. Sample the slow polyphony of the final Dona nobis pacem for a taste of the choir's Romantic...
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Add this copy of Bach: Mass in B Minor [Trinity College Choir Cambridge; to cart. $54.63, new condition, Sold by Revaluation Books rated 4.0 out of 5 stars, ships from Exeter, DEVON, UNITED KINGDOM, published 2018 by Hyperion.