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An 1822 Schubertiad ()

performed by , , , , , , , ,
composed by Franz Schubert

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An 1822 Schubertiad - Catherine Denley (mezzo-soprano); Christine Schäfer (soprano); Graham Johnson (piano); Ian Bostridge (tenor);...
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Track Listing
  1. Versunken ("Voll Locken kraus ein Haupt"), song for voice & piano, D. 715
  2. Im Gegenwärtigen Vergangenes, quartet for male & piano, D. 710
  3. Mahomets Gesang II ("Seht den Felsenquell"), song for voice & piano (fragment), D. 721
  4. Geheimes ("Über meines Liebchens Äugeln"), song for voice & piano, D. 719 (Op. 14/2)
  5. Johanna Sebus ("Der Damm zerreisst"), song for voice & piano (Fragment), D. 728
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  1. Versunken ("Voll Locken kraus ein Haupt"), song for voice & piano, D. 715
  2. Im Gegenwärtigen Vergangenes, quartet for male & piano, D. 710
  3. Mahomets Gesang II ("Seht den Felsenquell"), song for voice & piano (fragment), D. 721
  4. Geheimes ("Über meines Liebchens Äugeln"), song for voice & piano, D. 719 (Op. 14/2)
  5. Johanna Sebus ("Der Damm zerreisst"), song for voice & piano (Fragment), D. 728
  6. Mignon I (Heiss' mich nicht reden"), song for voice & piano, D. 726
  7. Die Nachtigall ("Bescheiden verborgen..."), quartet for male voices & piano, D. 724 (Op. 11/2)
  8. Sei mir gegrüsst ("O du Entriß'ne mir" ), song for voice & piano, D. 741 (Op. 20/1)
  9. Frühlingsgesang II ("Schmücket die Locken"), quartet for male voices & piano, D. 740 (Op. 16/1)
  10. Der Wachtelschlag ("Ach! mir shallt's dorten so lieblich hervor"), song for voice & piano (Il canto della Quaglia), D. 742 (Op. 68)
  11. Geist der Liebe II ("Der Abend schleiert Flur und Hain"), quartet for unaccompanied male voices, D. 747 (Op. 11/3)
  12. Die Liebe hat gelogen, song for voice & piano, D. 751 (Op. 23/1)
  13. Du liebst mich nicht ("Mein Herz ist zerrissen"), song for voice & piano, D. 756 (Op. 59/1)
  14. Todesmusik ("In des Todes Feierstunde"), song for voice & piano, D. 758 (Op. 108/2)
  15. Selige Welt ("Ich treibe auf des Lebens Meer"), song for voice & piano, D. 743 (Op. 23/2)
  16. Ihr Grab ("Dort ist ihr Grab"), song for voice & piano, D. 736
  17. Schatzgräbers Begehr ("In tiefer Erde"), song for voice & piano (two versions), D. 761 (Op. 23/4)
  18. Der Musensohn ("Durch Feld und Wald zu schweifen"), song for voice & piano, D. 764 (Op. 92/1)
  19. Am Flusse II ("Verfliessest, vielgeliebte Lieder"), song for voice & piano, D. 766
  20. An die Entfernte ("So hab' ich wirklich dich verloren"), song for voice & piano, D. 765
  21. Willkommen und Abschied ("Es schlug mein Herz"), song for voice & piano (two versions), D. 767 (Op. 56/1)
  22. Des Tages Weihe ("Schicksalslenker"), quartet for mixed voices & piano ("Where thou reignest"), D. 763 (Op. posth. 146)
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It's a man's, man's, man's, man's volume of Graham Johnson's Schubert edition: songs for tenors, baritones, male chorus, and songs for men, about men, and to men. It's a great, great, great, great volume. John Mark Ainsley is one of the best tenors in England and is suave, strong, and sensitive with a tiny little catch in his voice. His Willkommen und Abschied (D. 767) is a hoot and a holler and his Versunken (D. 715) is rousing and arousing. Maarten Koningsberger is a terrific baritone and his way with the gorgeous songs ...

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An 1822 Schubertiad 1997, Hyperion

UPC: 034571130286

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