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All The Queen's Men: Music for Elizabeth I - Jacob Heringman (lute); Sarum Consort; Andrew Mackay (conductor)
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  1. As Vesta was from Latmos hill descending, madrigal for 6 voices
  2. Hark! did ye ever hear so sweet a singing?, madrigal for 6 voices
  3. O Lord, make Thy servant Elizabeth, anthem for 6 voices (SAATTB)
  4. O clap your hands, anthem for 8 voices
  5. Robin Is to the Greenwood Gone, ballad
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  1. As Vesta was from Latmos hill descending, madrigal for 6 voices
  2. Hark! did ye ever hear so sweet a singing?, madrigal for 6 voices
  3. O Lord, make Thy servant Elizabeth, anthem for 6 voices (SAATTB)
  4. O clap your hands, anthem for 8 voices
  5. Robin Is to the Greenwood Gone, ballad
  6. So Beauty on the Waters Stood, for voice & lute
  7. Laboravi in gemitu meo, motet
  8. Hence, Stars, Too Dim of Light for 5 voices
  9. Oft I have vowed how dearly I did love thee, madrigal (No. 20, The Second Set of Madrigals)
  10. Time stands still, for voice, lute & bass viol (Third Book of Songs)
  11. Adue, Ye Citty-Prisoning Towers for 5 voices
  12. Ye That Do Live in Pleasures Plenty, madrigal
  13. The Right Honourable the Lady Rich, her Gaillard (Dowland's Bells), for lute, P 43
  14. Hard by a cristall fountaine, madrigal for 6 voices
  15. Draw On, Sweet Night, Best Friend unto Those Cares, madrigal
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The figure of Elizabeth I loomed large in English music of the late Renaissance, and an entire collection of madrigals, "The Triumphs of Oriana," was presented to her in 1601. The idea of using Elizabeth as a thematic principle for an album release has been tried in various ways. The entire "Triumphs of Oriana" collection has been recorded a few times, and madrigals have been used for deeper investigations of Elizabeth's reign. This collection by the mixed-gender adult choir Sarum Consort, which performs a wide spectrum of ...

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