Excerpt from A History of French Architecture, From the Reign of Charles VIII Till the Death of Mazarin, Vol. 2 But the Gothic tradition in Church-building died hard in France as in England. Mediaeval plans and principles of construction, the nave, aisles, and transepts, the choir and its arches, the vaulting, the buttress, and the ying buttress remained in use after the details of Gothic architecture had been abandoned; and nowhere is the shallow ness of the early Renaissance in France more clearly shown than in this ...
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Excerpt from A History of French Architecture, From the Reign of Charles VIII Till the Death of Mazarin, Vol. 2 But the Gothic tradition in Church-building died hard in France as in England. Mediaeval plans and principles of construction, the nave, aisles, and transepts, the choir and its arches, the vaulting, the buttress, and the ying buttress remained in use after the details of Gothic architecture had been abandoned; and nowhere is the shallow ness of the early Renaissance in France more clearly shown than in this attempt to clothe the traditional facts of mediaeval construction in an alien dress. No attempt was made, as yet, to deal with architecture according to its logical intention, the utmost ambition of these men was to plaster a more or less correct version of some classical detail on to the unoffending surface of their building. Not only had they lost the spirit of mediaeval architecture, but they had even forgotten the structural purpose of the Gothic features that they did retain, as may be seen from buildings such as Beauvais, Where the ying buttresses scarcely stand up by themselves, much less support the vaulting of the choir. Moreover, they must have built badly The church of Notre Dame at Niort, begun in 1491 and completed in 1535, simply and suddenly collapsed on 1sth November 1910. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at ... This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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