A History of Baroque Music

Track Listing

1. Lamentationes Hieremiae (9), for 5 voices, H. xxii/3
2. O vos omnes, Holy Saturday responsory for 6 voices, W. 7/80
3. Mass de Cappella for 6 voices on Gomberti's motet "In Illo Tempore" (from Vespers), SV 205: Sanctus
4. Vespro della Beata Vergine, for chorus & instruments, SV 206: Deus in Adjutorium
5. Vespro della Beata Vergine, for chorus & instruments, SV 206: Duo Seraphim (Tribus Vocibus)

1. Lamentationes Hieremiae (9), for 5 voices, H. xxii/3
2. O vos omnes, Holy Saturday responsory for 6 voices, W. 7/80
3. Mass de Cappella for 6 voices on Gomberti's motet "In Illo Tempore" (from Vespers), SV 205: Sanctus
4. Vespro della Beata Vergine, for chorus & instruments, SV 206: Deus in Adjutorium
5. Vespro della Beata Vergine, for chorus & instruments, SV 206: Duo Seraphim (Tribus Vocibus)
6. Vespro della Beata Vergine, for chorus & instruments, SV 206: Magnificat
7. Vespro della Beata Vergine, for chorus & instruments, SV 206: Et exultavit
8. Vespro della Beata Vergine, for chorus & instruments, SV 206: Esurientes
9. Vespro della Beata Vergine, for chorus & instruments, SV 206: Suscepit
10. Sacrae Concertationes, for voices & strings: no. 9, Dialogo della cantica
11. Vespro (6) della Beata Vergine, for 8 voices & continuo
12. Dum Silentium, motet
13. Jubilate Deo, motet
14. Bone Jesu, verbum Patris, for 2 sopranos or tenors & continuo, SWV 313 (Op. 9/8)
15. Bringt her dem Herren, for mezzo-soprano & continuo, SWV 283 (Op. 8/2)
16. Herr nun lässest du deinen Diener/Selig sind die Toten, for double chorus & continuo ("Canticum B. Simeonis"), SWV 281 (Op. 7/3)
17. Herr, auf dich traue ich, motet for 2 sopranos, alto, tenor, bass & continuo, SWV 377 (Op. 11/9)
18. Ich bin eine rufende Stimme, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 383 (Op. 11/15)
19. Siehe, nach Trost war mir sehr bange, motet for 5 voices & continuo (Israelis Brünlein No. 18)
20. Die mit Tränen säen, motet for 5 voices & continuo (Israelis Brünlein No. 3)
21. Magnificat
22. Confitebor tibi, Domine III (Terzo alla francese), motet for 5 voices/or 1 voice & 4 strings (from Salve morale e spirituale), SV 267
23. Membra Jesu Nostri, cantata in 7 sections for SSATB voices, 2 violins, 5 violas da gamba, violone & continuo, BuxWV 75
24. Rejoice in the Lord alway ("Bell Anthem"), anthem for alto, tenor, bass, chorus, strings & organ, Z. 49
25. Laudate Pueri Dominum, psalm, for soprano, chorus & orchestra in D, HWV 237
26. Stabat mater, for soprano, alto, strings & organ in F minor: Duo: Stabat Mater dolorosa
27. Stabat mater, for soprano, alto, strings & organ in F minor: Duo: Qui est homo, qui non fleret
28. Stabat mater, for soprano, alto, strings & organ in F minor: Duo: Fac, ut ardeat cor meum
29. Sonata à 4 al Santo Sepolcro, for 2 violins, viola & continuo in E flat major, RV 130: Largo
30. Stabat Mater, hymn for alto, strings & continuo in F minor, RV 621: Eija mater, fons amoris. Largo
31. Stabat Mater, hymn for alto, strings & continuo in F minor, RV 621: Amen. Allegro
32. Regina coeli, motet for 3 voices & continuo, LWV 77/12
33. Cantique sur le bonheur des justes, motet, S. 127: Heureux, quie de la sagesse
34. Cantique sur le bonheur des justes, motet, S. 127: De quelle douleur profonde
35. Cantique sur le bonheur des justes, motet, S. 127: Infortunés que nous sommes
36. Pastorale sur la naissance de Notre Seigneur Jésus Christ, for 4 voices, chorus, instruments & continuo, H. 483: Ouverture
37. Pastorale sur la naissance de Notre Seigneur Jésus Christ, for 4 voices, chorus, instruments & continuo, H. 483: Scène 1. Air "Que nos soupirs"
38. Pastorale sur la naissance de Notre Seigneur Jésus Christ, for 4 voices, chorus, instruments & continuo, H. 483: Ch?ur "Le règne du péché"
39. Première leçon de ténèbres du mercredi saint, motet for soprano & continuo, H. 96 (Neuf leçons): Incipit lamentatio Jeremiae prophetae
40. Première leçon de ténèbres du mercredi saint, motet for soprano & continuo, H. 96 (Neuf leçons): ALEPH
41. Première leçon de ténèbres du mercredi saint, motet for soprano & continuo, H. 96 (Neuf leçons): Quomodo sedet sola civitas
42. Première leçon de ténèbres du mercredi saint, motet for soprano & continuo, H. 96 (Neuf leçons): Jerusalem, convertere
43. Leçons de Ténèbres, for treble voice (or 2 treble voices) & continuo: JOD
44. Leçons de Ténèbres, for treble voice (or 2 treble voices) & continuo: Manum suam misit hostes
45. Leçons de Ténèbres, for trebl