Produced by Lou Giordano with his trademark full-bodied, immediately accessible, but never washed-out sound, A Boy Named Goo finally got the band across to a wide audience, and deservedly so. Right from the start, the Goo Goo Dolls sound perfectly on the right track after Superstar Car Wash's OK but ultimately go-nowhere feeling -- "Long Way Down" is another stone-cold classic of wounded romanticism wedded to catchy Cheap Trick-tinged punk-pop, Rzeznik's singing the not-so-secret weapon. Hearing him on the descending chorus ...
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Produced by Lou Giordano with his trademark full-bodied, immediately accessible, but never washed-out sound, A Boy Named Goo finally got the band across to a wide audience, and deservedly so. Right from the start, the Goo Goo Dolls sound perfectly on the right track after Superstar Car Wash's OK but ultimately go-nowhere feeling -- "Long Way Down" is another stone-cold classic of wounded romanticism wedded to catchy Cheap Trick-tinged punk-pop, Rzeznik's singing the not-so-secret weapon. Hearing him on the descending chorus, matching the just sad enough guitar crunch, makes one realize that there's always hope for full-bodied rock & roll. The eternal Replacements tag now makes less sense than ever -- the Goos have their own enjoyable sound, Rzeznik's a more individual singer than ever, and all three rock out accordingly. Takac similarly has his own sonic improvements, his formerly rasped high register now just a little more controlled but no less affecting, as winners like "Burnin' Up" and "Somethin' Bad" easily demonstrate. Rzeznik-sung highlights are equally everywhere -- the commercial but never stupid "Naked," with a great chorus and immediately radio-friendly music, the equally sharp "Only One," and the mighty fine "Ain't That Unusual." There's no question what the highlight is, though -- however untypical of the rest of the album's mid-range feedback fun, "Name," with its sweet but sad acoustic arrangement, made perfect sense as the Goos' long-delayed radio breakthrough. Rzeznik's empathetic vocal, delivering one of his best lyrics on favored subjects of friendship, loss, and fame, matches unfolky strumming and quiet energy, creating a song that feels like both a farewell to the American Dream and to a long-lost partner. All this without sounding a Bruce Springsteen sermon -- a rare thing indeed. [A 20th Anniversary Edition of A Boy Named Goo added seven bonus live tracks, all recorded live at New York's Academy in November of 1995, not long after "Name" became a hit. These live tracks are, like the album itself, pitched halfway between the band's raucous roots and their increasing professionalism, making them a nice bonus for an anniversary set.] ~ Ned Raggett, Rovi
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Add this copy of A Boy Named Goo (20th Anniversary Edition) to cart. $12.96, fair condition, Sold by Service First Media rated 5.0 out of 5 stars, ships from Taylorsville, KY, UNITED STATES, published 2015 by Warner Music.
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Seller's Description:
Fair. Ex-Library rental. Disc(s) are professionally cleaned and may contain only light scratches that do not effect functionality. Includes disc(s), case, and artwork. May be missing booklet. Disc(s), case, and artwork may contain library/security stickers and ink writing. ARTWORK IS UNORIGINAL AND PRINTED BY LIBRARY. Case and artwork may show some wear. Case may not be an original jewel case. All disc(s) are authentic.
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